STAMINA

Posted By : Jeff Moore
Piece Title : Stamina
No. of times Viewed (May 2017) :11
Total No. of times Viewed :1324
No. of Media Uploads :0(Videos -0, MP3 - 0, Photos - 0)
Dificulty Rating :
Level : Senior / Graduate
Composer / Arranger : Markovich, Mitch (1944-)
Composer / Arranger Details: Unknown
Total Number of Percussionists Required :1 Percussionist(s)
Categories : Snare Drum
Instrument / Discipline : Snare Drum
Instrumentation : N/A
Range of Instruments / Number of Drums : N/A
Written for / Commissioned by : Unknown
Permission given for Youtube video by Copyright holder
and Youtube Channel Owner. Recorded / Provided by:
 Coming Soon - Pending Copyright Authorisation
Accompanied :N/A
Publisher :Creative Music
Publishers Website :Unknown
Publisher Details : Unknown
Year Composed / Copyright Date :Unknown
Duration :4Minutes
No. of Mallets/Sticks Required :2
Special Needs :None
Sheet Music Available From :www.steveweissmusic.com/product/11059/snare-drum-solo      Check to see if in stock
Programme Notes / Performance Details :

Stamina is written especially for a snare drum solo. This piece is characterized by its traditional snare drum rudiments and is often classified as a perfect example of classical percussion music. Running for 132 beats per minute, this piece takes only a few minutes to perform but is very much challenging on the players stamina, as the name implies. It involves a variety of complicated sticking patterns all throughout the full duration of the piece.

Among the rudiments integrated with this piece are the following:
Single Paradiddle
Single Seven
Flam
Flam Tap
Flam Paradiddle
Five Stroke Roll
Six Stroke Roll
Seven Stroke Roll
Paradiddle-diddle
Swiss Army Triplet
Double Paradiddle
Flam Drag

This piece is said to be an excellent material for any snare drummer and has established itself a stable position in the standard snare drum scene.

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Member Reviews / Comments
Posted By : Jeff Moore    Date Posted: 03 February 2009 09:23:00 AM
Longest of Markovitch`s published solo. It`s almost too long but uses the same format--a challenging opening with displaced accents, swiss triplets, in the middle and a barrage of rolls and accents with a long accelerando out to the end.
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