LINKS NO. 9 (MOSQUE) 1992

Posted By : Jeff Moore
Piece Title : Links no. 9 (Mosque) 1992
No. of times Viewed (August 2017) :6
Total No. of times Viewed :353
No. of Media Uploads :0(Videos -0, MP3 - 0, Photos - 0)
Dificulty Rating :
Level : Graduate
Composer / Arranger : Smith, Stuart
Composer / Arranger Details: Unknown
Total Number of Percussionists Required :1 Percussionist(s)
Categories : Tuned Percussion
Instrument / Discipline : Vibraphone
Instrumentation : N/A
Range of Instruments / Number of Drums :
Written for / Commissioned by : Unknown
Permission given for Youtube video by Copyright holder
and Youtube Channel Owner. Recorded / Provided by:
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Accompanied :N/A
Publisher :Smith Publications
Publishers Website :http://www.smith-publications.com/
Publisher Details :

Smith Publications has been publishing scores and recordings of serious, progressive American Music since 1974. Defining and describing such music is a challenge: terms like  Avante Garde, Experimental, Deterministic, New Music, etc, have all been used -and sometimes correctly. However, a single catchall description cannot fit the music composed by Milton Babbit, Ben Johnston, Stuart Saunders Smith, John Cage, Pauline Oliveros and so many others. These groundbreaking composers not only have invented new music, but also have created new instruments, new techniques for playing, and unique notation for performers. It is our challenge - and our deeply rewarding mission - to make this music available in printed and recorded form for performers and listeners.

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Year Composed / Copyright Date : /  1974
Duration :UnknownMinutes
No. of Mallets/Sticks Required :N/A
Special Needs :4 mallets
Sheet Music Available From :Unknown      Check to see if in stock
Programme Notes / Performance Details :Unknown
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Member Reviews / Comments
Posted By : Jeff Moore    Date Posted: 19 February 2009 12:58:00 PM
Very difficult 4 mallet piece. Atonal. Senza measura. Has some difficult rhythmic concepts, seemingly coming from serial composition techniques. Player must not be visible to the audience, but must be fully audible. Graduate level piece. Deals with issues of connection in a broad sense. A melodic idea may be interrupted by silence or intervening material, creating non-sequential relationships. "Each moment is the whole."
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