KEMBANG SULING

Posted By : TimoPalm
Piece Title : Kembang Suling
No. of times Viewed (January 2019) :30
Total No. of times Viewed :2898
No. of Media Uploads :0(Videos -0, MP3 - 0, Photos - 0)
Dificulty Rating :
Level : Junior / Senior
Composer / Arranger : Farr, Gareth
Composer / Arranger Details: Gareth Farr: composer, percussionist... and drag queen! an indisputably colourful figure in New Zealand music. And whether scored for percussion duet or the resources of two large orchestras, Farr s music reflects his personality bold, brash, or delicate and sensuous, but inevitably, immediately, engaging. Rhythmic elements of his compositions can be linked to the complex and exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion music of the Pacific Rim. In addition to his music for the concert chamber, Farr has written music for dance, theatre and television.
Total Number of Percussionists Required :1 Percussionist(s)
Categories : Tuned Percussion / Mixed Chamber Ensemble
Instrument / Discipline : Flute and Marimba Duet
Instrumentation : 4 1/3 Octave Marimba (Low A) / Flute
Range of Instruments / Number of Drums : NA
Written for / Commissioned by : Alexa Still/Creative New Zealand
Permission given for Youtube video by Copyright holder
and Youtube Channel Owner. Recorded / Provided by:
 Rebecca Celebuski
Accompanied :Other
Publisher :Promethean Editions
Publishers Website :www.promethean-editions.com/
Publisher Details :

A Greek legend tells how the demigod Prometheus stole fire from the Gods and brought it to mankind in order that they might establish civilisation. Subsequently Zeus took vengeance on Prometheus for his cunning, condemning him to be bound in chains for eternity and sending an eagle to feed upon his immortal liver!

Promethean Editions was established in 1996 with the mission of bringing the fire of new, fresh and exciting contemporary music to performers and audiences throughout the world. Today we publish, promote and market music by emerging and established composers in the global market-place.

We publish and represent the music of thirty composers and work closely with our house composers: Gareth Farr, Christos Hatzis, Vincent Ho and John Psathas.

Key strategies include the publication of sheet music and services to composers (management, music typesetting and administration of music hire and facsimile score publication).

Promethean Editions are intended primarily for performance. Scores and parts are sturdy and easy to use: durable outside, clearly and sensibly laid out within.

Music is engraved using either Music Press (Graphire) or Finale (MakeMusic!). Music Press is a high-end expert music typesetting software package whose output is comparable to the finest classical hand engraving, and custom fonts and spacing are employed in Finale to achieve clean and stylish scores.

Gareth Farr and John Psathas are two important New Zealand composers. Together with Canadians Christos Hatzis and Vincent Ho they form part of an emerging unique artistic voice. Gareth Farr is renowned for his colourful melodies and driving, percussive writing, while referencing musical styles of the Pacific-rim, including Cook Island drumming, Balinese Gamelan and Maori music traditions. Christos Hatzis, a Greek born Canadian resident, draws musical inspiration from Christian spirituality, his own Byzantine heritage and other cultures. His music is eclectic and combines elements of jazz, pop and world music, including several earlier works inspired by the music of the Inuit, Canada’s arctic inhabitants. Canadian Vincent Ho’s music is rich and energetic, a unique integration of influences ranging from the visual arts, electroacoustic and natural soundscapes, traditional classical music forms, and the physical properties of the instruments and ensembles for which he writes. Ho is currently Composer in Residence with the Winnipeg Symphony Orchestra. New Zealand born Greek John Psathas was recognised early in his career for writing high-energy and propulsive music. He continues to fuse a new classical style by drawing from his heritage and aspects of European art music, jazz and rock.

Year Composed / Copyright Date :1995 /  1997
Duration :11Minutes
No. of Mallets/Sticks Required :4
Special Needs :NA
Sheet Music Available From :www.promethean-editions.co.nz/      Check to see if in stock
Programme Notes / Performance Details :

Three musical snapshots of Asia:

I On the magical island of Bali, flowing gamelan melodies intertwine with the sound of the suling (Balinese bamboo flute) to form rich colourful tapestries. The marimba and flute start out as one, their sounds indistinguishable. Bit by bit the flute asserts its independence, straying further and further from the marimba melody. An argument ensues – but all is resolved at the climax.

II The haunting sounds of the Japanese shakuhachi flute float out over the warm echoes of the rolling landscape.

III Complex rhythms and South Indian scales set the two instruments off in a race to see who can outplay the other. The marimba is set in a three bar cycle of 5/4+5/8+5/16 but the flute plays a different cross rhythm each time, returning to the marimba’s pattern at the end of every cycle.

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