Posted By : TimoPalm
Piece Title : Parallel
No. of times Viewed (January 2019) :7
Total No. of times Viewed :807
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Dificulty Rating :
Level : HS/College
Composer / Arranger : Nozny, Brian
Composer / Arranger Details:

Brian Nozny’s career as a percussionist and composer spans a wide array of musical styles, including classical, jazz, world, and popular genres. His original works and arrangements have been performed at respected academic institutions such as Northwestern University, the University of South Carolina, and Florida State University. Notable ensembles that have premiered Nozny’s compositions include the University of North Texas Percussion Ensemble, the University of Kentucky Percussion Ensemble, and NEXUS. Brian’s most recent commission, an original work for percussion sextet, Sharps, was premiered by the Denkyem Percussion Group on their tour of Costa Rica in March of 2010. Brian’s compositions have been published by Innovative Percussion and Drop 6 Media.

As a percussionist, Nozny’s skill is versatile. He has performed in an orchestral capacity with many orchestras such as the Macon Symphony, the Hilton Head Symphony, the Irving Symphony Orchestra, and currently serves as the Principal Percussionist with the Bismarck-Mandan Symphony Orchestra. His excursions into contemporary chamber music have included collaborations with groups such as the Bravura Percussion Trio and the nief-norf project. He has given solo recitals in Florida, Georgia, Kentucky, Texas, and Virginia.

Brian’s extensive teaching experience includes positions both in the United States and abroad. In the summers of 2007 and 2008, Brian served as a faculty member for the Music for All Summer Symposium in Normal, Illinois, and was a percussion consultant for the Jamaica Cultural Development Commission in Kingston, Jamaica in 2007. From 2009 – 2010 Brian was a staff member of the Boston Crusaders Drum and Bugle Corps. Currently Brian is the Assistant Professor of Percussion / Assistant Director of Bands at Dickinson State University in Dickinson, ND.

Nozny holds a Bachelor of Arts degree from Virginia Tech and Master’s degrees in Composition and Performance from the University of Miami and the University of North Texas respectively. He is currently nearing completion of his Doctoral degree in Percussion Performance from the University of Kentucky. His primary percussion teachers include James Campbell, John Willmarth, Mark Ford, Christopher Deane, Paul Rennick, Ed Smith, Ed Soph, and Ney Rosauro; his compositional training has benefited from study with Jon Nelson, Don Wilson, and Jon Polifrone.

Brian is proud to be endorsed by Evans Drumheads, Innovative Percussion, and SABIAN Cymbals.


“Brian is a leader in a generation of eclectic musicians. I find him to be an expressive performer, intuitive pedagogue, and gifted composer. I look forward to the next opportunity to work with him!”

James Campbell - Professor of Music, Director of Percussion Studies - University of Kentucky

“Brian is a very special talent — great player, singular composer, fluent in a wide variety of technologies and genres, and terrific colleague. I have had the pleasure of working with him in an assortment of professional settings and look forward to future collaborations.”

John W. Parks IV, D.M.A. - Assistant Professor of Percussion - Florida State University

“I’ve had the opportunity to work with Brian on several projects and have always been impressed with his professionalism and attention to detail. He is an excellent composer and I have personally programmed two of his works in the past few years. In addition, his presentations to students have tremendous pedagogical and professional value.”

Scott Herring - Associate Professor of Percussion - The University of South Carolina

“I met Brian at the University of Kentucky, Lexington, where he was finishing his DMA . He prepared some of my compositions for performance and we had some time to talk. I liked Brian and asked if he’d be interested in arranging for Nexus a recently published piano solo based on an early oil painting by John Cage. Brian agreed, completed the work, and Nexus has performed “Chess Pieces” on several occasions. It is marvelously orchestrated; a most welcomed addition to the Western Percussion Ensemble literature.”

Robin Engelman - Composer, conductor and author - Nexus member emeritus

Total Number of Percussionists Required :4 Percussionist(s)
Categories : Tuned Percussion / Percussion Ensemble
Instrument / Discipline : Percussion Quartet
Instrumentation : Metallic Object / Ride Cymbal / Sleigh Bells / Suspended Cymbal / Tam-Tam / Tuned Metal Pipes (Set of)
Range of Instruments / Number of Drums : NA
Written for / Commissioned by : T. Adam Blackstock/Troy University Perc. Ens.
Permission given for Youtube video by Copyright holder
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Accompanied :N/A
Publisher :Published by the Composer
Publishers Website :Please contact the composer directly.
Publisher Details :

This piece of music is published by the composer and you should contact them directly for more information.

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Year Composed / Copyright Date :2012 /  2012
Duration :7Minutes
No. of Mallets/Sticks Required :Various
Special Needs :Tuned Metal Pipes (2 octaves of A-Mixolydian)
Sheet Music Available From :(Published by the composer)     Check to see if in stock
Programme Notes / Performance Details :

Parallel was born from self-imposed limitations: Metal instruments only, a limited force of those instruments, small fragments of thematic material, and the avoidance of using pitch-based instruments melodically. The goal of these limitations was to create a piece that emphasized atmosphere over all other things. The title and inspiration came from Dear Esther, a video game that creates an experience through exploration and narrative as opposed to skill-driven progress. The theme of parallel lines is key to Dear Esther. Parallel was commissioned by and is dedicated to T. Adam Blackstock and the Troy University Percussion Ensemble who premiered the work during their showcase concert at the 2012 Percussive Arts Society International Convention.

“I’ve begun my voyage in a paper boat without a bottom; I will fly to the moon in it. I have been folded along a crease in time, a weakness in the sheet of life. Now, you’ve settled on the opposite side of the paper to me; I can see your traces in the ink that soaks through the fibre, the pulped vegetation. When we become waterlogged, and the cage disintegrates, we will intermingle. When this paper aeroplane leaves the cliff edge, and carves parallel vapour trails in the dark, we will come together.” - Quote from Dear Esther by Dan Pinchbeck

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