RANCHO JUBILEE

Posted By : TimoPalm
Piece Title : Rancho Jubilee
No. of times Viewed (January 2019) :16
Total No. of times Viewed :1988
No. of Media Uploads :0(Videos -0, MP3 - 0, Photos - 0)
Dificulty Rating :
Level : Junior / Senior
Composer / Arranger : Beall, Andrew
Composer / Arranger Details:

“Affirmation shocked the audience – they were on their feet right after the performance!” – Da Ji Yuan News At Lincoln Center in 2008, Avery Fisher Hall became home for the world premiere of composer/percussionist Andrew Beall’s second major orchestral work: Affirmation, concerto for solo percussion and orchestra. Among others, the Concert Band arrangement has been performed by the U.S. Navy Band in Washington D.C. In 2004, Mr. Beall performed the world premiere of his Testament: Symphony for Marimba and Orchestra with the Tower Philharmonic, marking as the first marimba symphony in history ever to be composed or performed. Since the premiere, he has reduced the opus to a shorter Concerto, which has had performances with the Aspen Philharmonic and the Columbus Philharmonic. A multi-faceted performer, composer, educator, and entrepreneur, Mr. Beall sustains balance between the Symphonic, Broadway, Rock, and Marching arenas, as well as being the President of the Percussive Arts Society New York Chapter. As a freelance percussionist, he has performed on Broadway in The Lion King and Les Miserables, In The Heights,, Carnegie Hall with the Manhattan Pops Orchestra, and the Latin Grammy’s with artists such as Santana, Gloria Estefan, Andy Garcia, Patty LaBelle, Kenny G, John Legend, Jon Secada, and the Miami Sound Machine. Mr. Beall has appeared as a soloist around the world, including 15 recitals and 8 concerto performances.

 

In 2001, he won the D.C.I. Solo Marimba Competition, D.C.I. Percussion Ensemble Competition (with the Phantom Regiment drum & bugle corps), and the P.A.S.I.C. College Marimba Competition. He has placed 1st in concerto competitions at The Ohio State University and New York University, and 2nd at the MTNA National Young Artist Performer’s Competition. Mr. Beall spent a year as a cast member and snare drum soloist in the Australian stage spectacular, Rhythm of the Night. He has performed with the Columbus Symphony Orchestra, American Symphony Orchestra, American Brass Quintet, Illinois Symphony Orchestra, New York Philharmonic Percussion Ensemble, Greenwich Symphony Orchestra, Philadelphia Virtuosi Chamber Orchestra, Garden State Philharmonic, Brooklyn Symphony Orchestra, Harmonie Symphony Orchestra, Gotham City Orchestra, Westchester Chamber Orchestra, Colorado Music Festival Orchestra, and has toured Mexico with the Philharmonic Orchestra of the Americas. In November 2007, Mr. Beall was appointed Principal Timpanist/Percussionist of the Erato Chamber Orchestra of Chicago. Additionally, he tours as drummer for the New York-based rock sextet, Cordis and is a member of NY’s premiere outreach quartet, Percussion People and touring percussion trio, Axiom Percussion Group.

 

As a composer, Mr. Beall’s works have been performed at the top concert halls, conservatories, and music festivals around the world. In October ‘08, the Erato Chamber Orchestra premiered his Song of ‘Almah for marimba, soprano, and string orchestra in downtown Chicago. As a guest artist and clinician, he has presented concerts and workshops across the country, many featuring a portrait of his compositions. In the field of marching percussion, he has taught drum and bugle corps such as the Boston Crusaders, Santa Clara Vanguard, and Carolina Crown (having arranged the 2003 and 2009 winning D.C.I. percussion ensembles). He has also written and designed indoor percussion shows for Odyssey Percussion Theater and Surround Sound. Most recently, he was commissioned by the US Air Force Band to write a work for solo percussion and brass ensemble. Mr. Beall received his B.M. from the Manhattan School of Music, his M.A. from New York University, and was a Charles Owen Memorial Fellowship winner at the Aspen Music Festival. He is pleased to frequent his alma mater, Manhattan School of Music, to teach privately at their Pre-College. Mr. Beall’s debut studio CD, Deliverance, was released on BMP Records and received critical acclaim from PAS News. He is the President of two companies: Bachovich Music Publications and Beall Percussion Specialties, and is an endorsing artist/clinician for Innovative Percussion, Pearl Drum Corporation, Sabian Cymbals, and Evans Drumheads.

Total Number of Percussionists Required :3 Percussionist(s)
Categories : Untuned Percussion / World Percussion / Percussion Ensemble
Instrument / Discipline : Percussion Trio
Instrumentation : Cajon (x3)
Range of Instruments / Number of Drums : NA
Written for / Commissioned by : Drew W. Johnson
Permission given for Youtube video by Copyright holder
and Youtube Channel Owner. Recorded / Provided by:
 Andrew Beall
Accompanied :N/A
Publisher :Bachovich Music Publications
Publishers Website :www.bachovich.com
Publisher Details :

Extraordinary percussion literature for the 21st century! Looking for recital pieces, chamber pieces, and concerti? We`re here to serve you the finest in percussion music 24 hours/day, 7 days/week.

Year Composed / Copyright Date :2009 /  2009
Duration :7Minutes
No. of Mallets/Sticks Required :N/A
Special Needs :NA
Sheet Music Available From :www.bachovich.com      Check to see if in stock
Programme Notes / Performance Details :

Rancho Jubilee is the name of a Dominican restaurant on my corner in Washington Heights. It’s fun décor and lively atmosphere mixed with Latin and Caribbean influences provided a nice setting for this--what is most likely the first of its kind--trio for Cajons. Cajon is a Spanish word, meaning Box. The instrument originated in Peru and later became popular in Spanish Flamenco music. Because of the wire strings extending across the Cajon, it has a fantastic sound, much like a drumset, with “snare” and “bass”. In the piece itself, I’ve taken several key rhythmic motives and spread them over a variety of contexts as well as used basic rudiments (such as the paradidle, double-paradiddle, and pardiddlediddle) and juxtaposed them into syncopated rhythms throughout. Besides standard techniques, the different timbre ideas include knocking on the Cajon’s side with knuckles, knocking on the side with the heel of the foot, brushing the surface of the Cajon with fingers and nails, brushing the performer’s leg, and a fist pound directly in the center of the Cajon. My last day writing was spent at Rancho Jubilee, and I am pleased to pay tribute to this restaurant, which continues to be a consistent sanctuary for composing and orchestrating. The trio was commissioned by Drew W. Johnson and premiered at the University of South Carolina.

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