CURRENTS FOR 4 PERCUSSION

Posted By : howardbuss
Piece Title : Currents for 4 percussion
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Level :
Composer / Arranger : Buss, Howard (1951-)
Composer / Arranger Details: Unknown
Total Number of Percussionists Required :1 Percussionist(s)
Categories : Tuned Percussion / Untuned Percussion / Percussion Ensemble
Instrument / Discipline :
Instrumentation : Anvil / Concert Bass Drum / Cow Bell / Glass Wind Chimes / Guiro / Hi-Hats / Large Cow Bell / Large Size Tam Tam / Maracas / Marimba (Size Unknown) / Sizzle Cymbal / Snare Drum / Suspended Cymbal / Tambourine / Temple Blocks (Set of) / Timpani / Toms (Set of) / Triangle / Vibraphone / Xylophone
Range of Instruments / Number of Drums :
Written for / Commissioned by : Written for the University of Illinois Percussion Ensemble
Permission given for Youtube video by Copyright holder
and Youtube Channel Owner. Recorded / Provided by:
 U
Accompanied :N/A
Publisher :Brixton Publications
Publishers Website :www.brixtonpublications.com
Publisher Details :
Year Composed / Copyright Date :1976 / 
Duration :15Minutes
No. of Mallets/Sticks Required :8
Special Needs :
Sheet Music Available From :www.brixtonpublications.com/percussion-4.html      Check to see if in stock
Programme Notes / Performance Details :CURRENTS (1976) for 4 percussion by Howard J. Buss is divided into 4 main sections and explores various perspectives of the principles of timbral and metric modulation. Timbral and metric “currents” in the music interact and blend in a manner analogous to currents in physical mediums. In addition, there is an element of implied theater. As the work begins, 3 percussionists are conducted in the traditional manner by the fourth. Next to the conductor, clearly visible in front of the main percussion battery, is a wooden board bridging two saw horses and a carpenter’s hand saw. These sit idly through much of the work, long enough to arouse curiosity in the audience as to the role of these prominently displayed construction objects. About midway through the composition the conductor lifts the saw overhead and strikes it. This serves as a cutoff gesture and also establishes that the saw is an “extension” of the conductor’s baton. The saw remains idle until the beginning of the fourth division of the work. During the final section it is used simultaneously as a “baton” and a percussion instrument by the director, who saws through wood, scrapes the saw’s teeth, slaps it on the board, strikes it with a mallet, and waves it in the air. At the very end of the work the conductor sets down the saw and walks behind the players to play the tam-tam. In doing so, he continues to direct the ensemble through the explosive conclusion. Percussion distribution: Perc. 1: 2 anvils (metal pipes may be substituted), 2 cow bells, snare drum, 2 suspended cymbals, tambourine, timpani (1), xylophone & wind chimes; Perc. 2: hi-hat, maracas, 2 suspended cymbals, triangle, large tam-tam, 4 tom toms, and vibraphone; Perc. 3: Bass drum, guiro, marimba, 2 suspended cymbals, temple blocks & triangle; Perc. 4 (conductor): Carpenter’s saw, a 2x2” wooden board & 2 saw horses. “A memorable combination of percussive artistry and theatrical class “ - The Washington Post. (14’) Grade V-VI. Recorded on the Capstone Records CD "HOWARD J. BUSS:MODERN TIMES available from Brixton Publications at www.brixtonpublications.com/percussion-4.html
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